Camera Operator

I’m a story-driven person. I wrote my first picture book at three years old, and I’ve been telling stories ever since. As an operator on your team, I bring a “can do” attitude and excitement for creating visuals that beautifully and thoughtfully communicate your intentions to an audience.

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I began my career in 2008 working in production offices and then on set working with ADs and Production Managers. In 2012 I pivoted to camera department work, laying a foundation to pursue my dream of becoming a Camera Operator.

The road has been long and I’ve learned from the best of the best along the way. This breadth of technical experience along with my passion for storytelling make me an asset to any production. I am interested in a wide variety of projects, including music videos, fashion, documentary, narrative, live events, multicam and more. I operate studio camera setups, pedestals, handheld and ENG work, remote heads, gimbals and Steadicam.

I am always interested in experience to help build out my reel and am open to productions of all sizes, including low-budget and student productions.

Steadicam

My GPI Pro Steadicam rig is able to support camera builds of any size, from small DSLRs to heavy, large format digital or film builds. My gear package includes wireless video transmission. I have Preston Cinema Systems wireless focus optionally available.

Operating Credits

2022 – “The Good Half” – A Camera/Steadicam Operator
Independent Feature film, The Ranch Productions. Director: Robert Schwartzmann, DP: Michael Rizzi, PM:

2022 – “Go for Grandma” – B Camera Operator
Independent short film ($4m), privately produced. Director: Sabrina Doyle, DP: Max Schmige, PM: Anthony Argento

2020-2021 – “Real Housewives of…” Reunion Specials – ENG DP
Reality TV, ITV America/Bravo. Producing Executive: Lesley Richardson.

2019-2020 – New York City Ballet – Robotic Camera Operator, Camera Operator
Live Events, David Koch Theater.